Soundfront Underground Radio Program.

Soundfront Underground is a 2 hour electronic radio program which travels in available FM/internet airspace currently reaching 3 million listeners and growing. It is a public service for the global community with interviews of artists/DJ/Producers in each hour and a mix of a variety of dance music.

Sapphirecut is not a PR company and does not charge or discriminate on this show. A wide variety of sounds have been included to date from Ferry Corsten, James Holden, Steve Porter, Omid 16B, Chris Fortier, Frankie Bones, Infusion, Kirsty Hawkshaw, Tom Stefan, Gemini Wolf, Pole Folder, King Britt, John Bourke, The Kandywhales, Justin Paul, Saeed Younan, Murray Richardson, Behrouz, Solvent, Gavin Keitel, Geogg Gains, Pete Moss, Nigel Richards, etc ...it is about bringing the sound Together.

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Week of 4/15/2006

Hour 1

1."Together" Sapphirecut 16B Remix Twisted Records
2."Whatever" Ferry Corsten,KHunter,BLefler w/elements of Blah Blah Blah from FC Right of Way CD Tsuanmi
3."Girls can Be Cruel" Infusion Secial Mix Thrive
4. "Pulsar 618" Mike Koglin Pulsar Remix www.nosyzmusic.com
5."Fearless" Shelley Harland Rio Klein Radioedit
6."The Rejection" Dangerous Muse Eric Kupper Mix Cordless Records
7."Faster Kill Pussycat" Paul Oakenfold ft. Brittany Murphy Maverick records
8."There's a Reason" Sapphirecut Justin Paul Mix
Fivesixrecordings
9."Tracking Treasure Down' Gabriel and Dresden ft. Molly Bancroft Group Therapy Mix w/Dave Seaman www.audiotherapy.com
10."Rapture" iio JC Club Mix Ultra records
11."There There Was You" Rachel Star Pocket and Goodwill Mix Positiva

Hour 2

1."There's A Reason" Sapphirecut Chris Udoh's Flipped Dub Unreleased
2."Funk Theory" Steve Porter from his newly released Porterhouse CD Fade Records
3."Something" Nadia Ali and Rosko Rock mix Ultra Records
4."Faster Kill Pussycat" Paul Oakenfold Club Mix Maverick Records
5."Give Me A Reason" Endanger (Foochow Remix) www.myspace.com/Foochow
6.Interview with Matthew Dear alias Audion and some tracks from his CD
a)"T.B." by Audion from his Suckfish CD
b)"Wield" by Audion from his Suckfish CD
c)Portion of his Fabric 27 Mix CD Matthew Dear as Audion
7."Lover Boy" King Britt Scuba Mix
8."Juno Grant" Mike Koglin Sequential Records
9."Music Is About You" Mike Hiratzka & DFuse from People 3 Clubbing Moist Music
10."Thrill kill Kult" Mike Hiratzka & DFuse from People 3 Clubbing Moist Music
11."Always Believe" Sapphirecut OSP
12."There's A reason Sapphirecut(Jake Knights Remix)

Show from the Week of 4/15/2006


Matthew Dear known as Audion
It's hard to get out of Suckfish once it's on. You're just suddenly in it, like a silver pinball shot into the screwy Op art lock groove of its cover. The prickly microhouse rhythms he brought to 2003's Leave Luck to Heaven are still present, but as Audion Matthew Dear tops those stipples with synthesizers that growl and an attitude that says, "Come on." With this record, the only thing you're supposed to do is get off. Oscillating tones pierce the beat repeatedly on opener "Vegetables", and pretty soon there are manipulated voices in there too, mumbling alone in your mind. But that's just a preamble to the Suckfish thump of "Your Place or Mine" and "Titty Fuck". There are elements of empty space in the former-- Dear snips off the bass except for right over the drum so the synths are like pointy elbows jutting into the open space on a dancefloor, and the effect is chilly. But if their titles didn't give it away these songs are pretty randy, too-- Suckfish is techno that tumbles towards ecstasy in 4/4 time. "Your Place or Mine" is cool, but it's "Titty Fuck" that's the real base desire provider, its slinky 22nd century disco beat flirting with a five-note melodic tickler until the whole thing swells to a hissing, gritty finale that's just unclean. Back alley sex = bad idea. But that's the feel Dear is going for with Audion, however detached and dirty it is. He wants you to envision having relations among machines, or maybe machines having relations; either way, he provides tracks like "Kisses" and "The Pong" to do it to. "Pong"'s primary tone thrusts and eases back, the inevitable give and take of a frantically dancing crowd in a dark basement room, and a howling bass line alternates with blasts of clattering rhythm and quieter moments that sound like pinging sonar. The calculated quality of Suckfish is part of its allure. Unlike Nympho, Armand Van Helden's recent foray into sexified disco-punk obviousness, Dear has specifically categorized "Titty Fuck," the fluid, tense "Uvular", and the rest as being separate from himself. (You won't see something like the blatant "Just Fucking" on Leave Luck to Heaven's follow-up.) Releasing them under an alias allows Dear to position this material as a separate project, a grand design to get you laid. And the designer? Audion, which doesn't sound the least bit human and instead suggests a faceless superintelligent robot or hard plastic nub that will exude soothing "penetration sounds" in some Huxley sex parlor of the future. This is opposite to Van Helden's all too manmade and selfish approach, like bad cologne and worse drugs versus the sleek lines of Suckfish, the sex toy prototype.

































































































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